I love these two paragraphs from The Society Pages, written by a woman. It provides me with a general summary of the arguments I would like to support in my dissertation.
"Performers and fans have been overwhelmingly been
heterosexual men (Walser 1993). The
promotion of an exaggerated and idolized dominant, heterosexual form of
masculinity is not surprising when taking into account the androgyny that also
exists within the heavy metal realm.
Androgyny was especially prevalent during the 1970s and 1980s when heavy
metal music peaked in popularity. Male
musicians and fans with long hair, make up and tight fitting clothes needed a
mechanism to assert their masculinity and heterosexuality. They found it in promoting a
“sex-drug-and-groupies heavy-metal lifestyle” (Breen 1991). This metal mantra was often at the expense of
women and homosexual men, who were designated to the category of “other” and
represented as a threat in visual images, lyrics, and video representations
(Walser 1993).
Since the 1970s, women have increasingly gravitated towards
the heavy metal scene. Women who choose
to participate, especially subgenres such as death metal or black metal that
are more misogynistic, are aware of the culture of marginalization (Vasan
2011). These women often report that the
metal scene provides a sense of individual empowerment through breaking away from
the gendered restrictions of mainstream society. However, this freedom comes at a cost, which
involves reframing empowerment through a masculine notion of legitimation."
Thesocietypages.org, (2014). Heavy Metal Music and Sociological Imagination » Sociology Lens. [online] Available at: http://thesocietypages.org/sociologylens/2013/11/18/heavy-metal-music-and-sociological-imagination/ [Accessed 16 Oct. 2014].
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